Audio Representation

CSCI N351

Andy Harris

Indiana University / Purdue University - Indianapolis

Analog audio

Edison's phonograph

edison phonograph

How the Edison phonograph works

Creating a digital sound

Making a better sound

Problems with digital oscillator

sampling rate

Common sampling rates (approx. quality)

8 kHz bad cell phone
16 kHz phone
22kHz audio tape
44kHz CD

Nyquist's Law

bit depth

Standard bit depths

Quantizing an audio sample

Envelope

ADSR Envelope attributes

Improving the timbre

The need for Audio Formats

The MIDI format

MIDI's bad rap

Examining a MIDI file

Modifying a MIDI file

Using MIDI to study Music

Composing MIDI Music

Generating a song

Sampling audio

Modifying a sound

Doing more with a segment

Introducing Ogg Vorbis

Streaming Audio